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Repository | Book | Chapter
Digital sound, new media and interactive performance
pp. 99-130
Abstract
In recent years, there has been a proliferation of performances that utilize electronic sound technology for real-time interaction. One of the reasons for this is the development of musical instrument data interface (MIDI) and more recently Open Sound Control (OSC) together with real-time programming environments, such as Max that have the special advantage of being interactive with visual and network technologies.
Publication details
Published in:
Broadhurst Susan (2007) Digital practices: aesthetic and neuroesthetic approaches to performance and technology. Basingstoke, Palgrave Macmillan.
Pages: 99-130
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Full citation:
Broadhurst Susan (2007) Digital sound, new media and interactive performance, In: Digital practices, Basingstoke, Palgrave Macmillan, 99–130.