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Russian theatre in the age of modernism
Details | Table of Contents
Stanislavsky's production of Chekhov's three sisters
pp.1-32
https://doi.org/10.1007/978-1-349-20749-7_1
Boris Pronin, Meyerhold and cabaret
some connections and reflections
pp.66-86
https://doi.org/10.1007/978-1-349-20749-7_3
Leonid Andreyev's He who gets slapped
who gets slapped?
pp.87-105
https://doi.org/10.1007/978-1-349-20749-7_4
Kuzmin, Gumilev and Tsvetayeva as neo-romantic playwrights
pp.106-122
https://doi.org/10.1007/978-1-349-20749-7_5
Mortal masks
Yevreinov's Drama in two acts
pp.123-147
https://doi.org/10.1007/978-1-349-20749-7_6
The nature of the Soviet audience
theatrical ideology and audience research in the 1920s
pp.172-195
https://doi.org/10.1007/978-1-349-20749-7_8
Down with the foxtrot!
concepts of satire in the Soviet theatre of the 1920s
pp.219-235
https://doi.org/10.1007/978-1-349-20749-7_10
Mikhail Bulgakov
the status of the dramatist and the status of the text
pp.236-259
https://doi.org/10.1007/978-1-349-20749-7_11Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 1990
Pages: 269
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DOI: 10.1007/978-1-349-20749-7
ISBN (hardback): 978-1-349-20751-0
ISBN (digital): 978-1-349-20749-7
Full citation:
Russell Robert, Barratt Andrew (1990) Russian theatre in the age of modernism. Basingstoke, Palgrave Macmillan.