This chapter examines Pankaj Rishi Kumar's documentary feature In God"s Land (2012). In extending literary critic Rob Nixon's (2010) notion of 'slow violence" to cinema, it considers how a postcolonial Indian filmmaker uses animation to mediate socio-environmental injustices that are not spectacular but instead accumulate over long periods of time. In illuminating In God"s Land's dark and discordant mode of animation, I also suggest that such postcolonial cinema expands eco-film scholarship's current preoccupations with primarily Western/Japanese animation and with its predominant focus on animation as playful. In all, the essay argues for furthering our understanding of Indian and eco-animation.