European Society
for Phenomenology


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184145

Interview 6

orchestration, collaboration, and the integrated soundtrack—an interview with matt dunkley

Ian Sapiro

pp. 421-428

Abstract

Sapiro's interview with film-score orchestrator Matt Dunkley explores key aspects of the orchestrator's role with regard to the complete integrated soundtrack of a film. Dunkley discusses his collaborative working relationships with composers and his interactions with other members of the music- and film-production teams such as directors and music editors, offering a striking insight into the place of the orchestrator in the production of the soundtrack. Consideration of other aspects of the orchestrator's job such as working with popular and other pre-existing musics, and the impact of technology on processes and practices, result in a broader and deeper understanding of the place of the orchestrator within the filmic soundtrack as a whole.

Publication details

Published in:

Greene Liz, Kulezic-Wilson Danijela (2016) The Palgrave handbook of sound design and music in screen media: integrated soundtracks. Dordrecht, Springer.

Pages: 421-428


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DOI: 10.1057/978-1-137-51680-0_29

Full citation:

Sapiro Ian (2016) „Interview 6: orchestration, collaboration, and the integrated soundtrack—an interview with matt dunkley“, In: L. Greene & D. Kulezic-wilson (eds.), The Palgrave handbook of sound design and music in screen media, Dordrecht, Springer, 421–428.