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Repository | Book | Chapter
The still life as a personal object—a note on Heidegger and Van Gogh
pp. 203-209
Abstract
In his essay on The Origin of the Work of Art (3, 4), Martin Heidegger interprets a painting by van Gogh to illustrate the nature of art as a disclosure of truth.1
Publication details
Published in:
Simmel Marianne L. (1968) The reach of mind: essays in memory of Kurt Goldstein. Dordrecht, Springer.
Pages: 203-209
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DOI: 10.1007/978-3-662-40265-8_14
Full citation:
Schapiro Meyer (1968) „The still life as a personal object—a note on Heidegger and Van Gogh“, In: M. L. Simmel (ed.), The reach of mind, Dordrecht, Springer, 203–209.